Tag: writing

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A Thing which seemed very Thingish inside you is quite different when it gets out into the open ~ Pooh

One question asked every time I speak to a group of readers about my books is this:

How do you get your ideas?

https://www.bbc.co.uk/bitesize/articles/z78x2sg

My first book idea came from me creating a mash-up of my favorite novels, pulling bits and pieces from each, then finding a new platform from which to launch the conglomeration. Thus, Protected was born, and I introduced Abby and Manny to the world. From there, subsequent books tell the stories of the other people included in book one. Book two, A Father’s Gift, continues the story of my main characters in Protected, and book three, Accepted, (coming out in September, 2023), brings Manny’s best friend, Jonathan, and his story front and center.

Where did their stories come from? In my case, I believe the ideas for stories come from God. How can I weave a tale that shows ordinary people who survive their everyday problems and challenges to their faith? How can I share encouragement with readers to continue turning back to God if it doesn’t seem like he listens to our prayers?

I pray and wait for the ideas to come.

Many times, those ideas come while I’m in the shower. Does the spray of water massage my brain? Does steam break up whatever blocks my creativity? The answer is a mystery, but one that has repeated itself so many times, I now sometimes jump in the shower when I’m stuck and wait to see if inspiration strikes.

https://brightside.me/wonder-curiosities/why-our-best-ideas-come-to-us-in-the-shower-799039/

When I listen to music, often a story creates itself in the background as I sing along. Back when I still taught (math, by the way), I had what I thought was a wonderful idea for a writing assignment in the English classes. I’d been listening to my new Josh Groban CD (that tells you how long ago this happened—nobody buys CDs anymore). He sang in a foreign language, probably Italian. I couldn’t understand the words, but a very vivid picture emerged in my imagination based on the emotion in his voice and in the swells and lulls of the music. My pretend story made me curious—would other people hear something different? I wanted my friend Becky to let her students write what they “saw” by listening to the song.

I’ve learned to pay attention to those whispers. I pause, reel in my thoughts, and see if there is something I could turn into a novel. If I feel like the idea has legs, I jot it in a note saved on my phone for later. Sometimes those ideas nudge me. They seem eager to come to life. One book at a time for me, though. I’m not a writer who can have two or three projects going at once.

My favorite method of getting new ideas is when they come in a dream. Rarely can I keep a grasp on the tenuous threads that float through my mind in the dead of night. Three times, I attempted to recall the bones of the story after I woke up the next morning. Three times, the entire project vanished like the mist burning off in the light of day. I now force myself to jump out of bed and write it down. Those often feel totally ridiculous when I read them the next day. Instead of a story I can build up, I find myself staring at a scribbled description of something resembling a Mad Hatter’s party. Crumple that paper up and toss it in the trash.

https://www.middleeasteye.net/discover/dreams-middle-east-civilisation-how-helped-define

But occasionally, the dream sequence is a kernel that puts down roots. I sit and ponder, and slowly, the idea blooms like a rose, each petal unfurling to reveal another trail in the story. That happened this week. I shared the idea with my Friday morning critique partners, and they agreed it would make a fun read. Cheryl remembered a contest she’d recently seen advertised and shared it with me. So now I have something to do with the story when I’ve polished the words, and they’re ready to go.

Creating that was fun. I’m so grateful I was in a place in my life in 2019 where I could retire from teaching and spend all my time writing. The pursuit is challenging and difficult, but ultimately rewarding. If you’ve ever considered writing, wait no longer. I’m happy to help you in any way I can. And if you are writing, share with the rest of us how you get your ideas.

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“When you love what you do, it’s not work anymore.” Horse hockey.

American filmmaker Lawrence Kasden, screenwriter for several Star Wars movies, made the following statement, and it’s 100% true.

If you think you’d like to write, the first thing you must do is abolish your ego. That’s hard, but you’ve got to try. Because from day one, someone somewhere will gleefully tell you what is wrong with what you just wrote. And most of the time, they’ll be right. If you allow it, on the first day of your new career, you’ll learn something.

Those criticisms are hard words to hear because you’ve just poured your soul into what is on that paper. You’ve opened yourself up, allowed people to see inside your psyche. You make yourself vulnerable. So when someone starts methodically ripping your work to shreds, it hurts. But the pain is necessary.

I had to go through a very detailed psychological evaluation once for a company who planned to hire me. When I read his report, one line jumped out at me. He said, “Bristles at criticism.”

My response? “I do not!”

Oh. Wait. Point taken.

My default reaction to any criticism is to defend. I have learned to shut that down as quickly as I can and force myself to LISTEN. I don’t have to agree with the criticism I receive from critique partners, and I may decide to ignore their suggestions. But I have to listen. Because the plain truth is, I don’t know everything. Probably, they don’t either, but they might know THIS, so I need to hear their words.

Deb Haggerty, the editor-in-chief at Elk Lake Publishing, Inc., posts helpful articles for her authors on our private Facebook page. I always read them. If the boss thinks something is worth sharing, then I pay attention. She recently posted a link to this article, along with the pithy caption, “Please, please, please read the following article!” (And, yes, she spent a valuable exclamation point, giving the impression she felt passionate about it.)

So I read the article and added it to my growing list of things an author must know.

https://us5.campaign-archive.com/?e=8b905fac2e&u=7b5222d5ce3ad8e5630c9f2d4&id=b17505630b&fbclid=IwAR16a2_ltLLcuIW0vx_H37RM2F2JIbMo8mV5J2Vv0QXvR_vCUx7h8zDiJGE

So, swallow your pride. Admit you just learned something. Now, go forth and start hunting. And may the force be with you.

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It Takes a Village

One thing the Bible teaches us is God made us to live in community. The writing community is no different. We have author friends who have already walked the path we’re now on ourselves, and they are more than willing to lend a helping hand. That support is both crucial and encouraging.

Toni Shiloh is one such author. She speaks to writing groups to help bring along new and learning authors. She spoke to our DFW chapter this month about writing with diversity. Her topic is something we all need to learn and honor.

Toni also posts each Friday on her blog, Toni Shiloh – Soulfully Romantic, where she promotes new publications. She included both of my Christmas anthologies on this week’s post, along with others. You can read it here. https://tonishiloh.com/2021/10/15/friday-reads-10-15-21/

Feel free to browse! There are several to choose from. You may find something that piques your interest, and may also find some Christmas gifts. Enjoy. And, thanks, Toni!

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This word you keep saying …

I’m a writer and I belong to a critique group. We meet once a week to share our works-in-progress. We listen to each other read and then offer suggestions about how to correct mistakes, or barring that, simply fine tune the craft. It’s the most helpful thing a new author can do for herself. Every writer should join a crit group.

Three months ago, one of my co-authors made a comment about my submission, and I cannot get it out of my mind.

The lady took umbrage at my use of a term she didn’t know. The word in question? Discomposed. She told me she’d never heard it, which is fine. There are lots of words I don’t know. But she went on to say she didn’t think my readers would understand it either. She suggested I change the phrase.

I declined her recommendation, but the idea behind her discontent has bothered me ever since.

I understand her reasoning. I totally get it. The biggest mistake a writer can make, apparently, is to pen something so distracting it “takes the reader out of the story.” The fear is, if this unpardonable sin occurs, the dear reader might decide never to return. There are a lot of easily available distractions in our world today.

But I disagree with part of that train of thought. I think reading can (and should be) a means of learning new things, of broadening our vocabularies. Any time you hear someone mispronounce a word, rest assured, they learned it from reading it. That’s a good thing! I can remember reading 101 Dalmatians as a 10-year-old and being puzzled by the differences in British English vs. American English, although I didn’t realize that’s what it was at the time.

Words like “bachelor flat,” and “trousseau,” and “stacked plates on a lift.”

I was ten. I saw the words “bachelor flat” and my imagination produced something very thin. Trousseau? How do you even pronounce that? A lift? I learned what a dumbwaiter was by reading Harriet the Spy.

When I read The Lacuna, by Barbara Kingsolver, I kept my phone by my side with my Google Translate app open, waiting to type in the Spanish words I didn’t know. I finished the book, by the way.

So, if you want to use a word that pushes your reader to learn something new, go for it. If your writing is entertaining enough, enticing enough, the reader will come back to the story after puzzling over the meaning of the unknown.

Seems like that’s my job as the author. Write a book they can’t put down, and none of this matters.

Follow me on TikTok to hear about the words I run into each day that were previously unknown to me. Share your words with me. We can laugh about how badly we pronounce them.

But at the end of the day, we’ll be smarter than we were at the beginning. And that’s a good thing, too.

https://www.tiktok.com/@paulapeckham?lang=en

Oh, by the way … check out my new book. I am one of five authors who contributed to a Christmas anthology titled Christmas Love Through the Ages. The book is full of sweet, wholesome, Christmas-y stories that will get you in the mood for the holidays. Enjoy!

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And if you don’t know, now you know.

I thought writing would be so easy. I’d sit on my back porch with a cup of coffee and my laptop. Or I’d rent a little cottage for a weekend and bang out a few chapters. And when I finally typed “The End,” I’d trot off to The Publishing Place and hand them my book. They, in turn, would gush gratefully and scurry off to print it. A few months later, I’d be rolling in the dough as those royalty checks came flowing in.

Ah, this is the life.

Boy, was I ever wrong. Or naïve. Or just plain dumb. Yes, those mornings with my cup of coffee and laptop happen quite often. Just . . . none of the rest of it. There is so much more than meets the eye to writing—and publishing—a book.

You read your work to your critique group who look for confusing sections, or mismatched time lines, or missing commas. You send it off to beta readers who check for flow, plot holes, or tell you if it’s boring. If you self-publish, you find someone to create a book cover for you.

ho-hum . . . is this all you got?

But before you do any of that, you self-edit.

By the way, there are exactly 7,531 writing rules you must check for.

Because you probably broke 7,527 of them.

Seriously.

Today, I found a list. A wonderful, all-encompassing, helpful list. It makes sure I won’t forget any of the 7,531 writing rules, and actually added two or three more. I’m talking about the awesome Chapter Checklist compiled by the awesome K. M. Allan. She graciously gave me permission to post her list here.

Hear the sound of angels in chorus as this list floats down from Heaven.

Without further ado, here is the list. (I’ll post links to K. M. Allan’s social media at the bottom. You’ll want to follow her.) (Oh, one more thing . . . click on every single link to see more exceptional posts by K. M.)

(This is now in K.M.’s voice:) If you follow me on social media, you’ll know I’ve spent the last few months editing my latest WIP.

It’s book 3 in my Urban Fantasy YA series, Blackbirch, and I’m aiming to have it published in the first half of this year. I spent most of 2020 rewriting the draft I penned back in 2017, and now I’m in an endless editing loop.

So far, I’ve completed a grammar and spell check with ProWritingAid, checked for weak words, found and eliminated repeats, and made sure the punctuation for my dialogue is correct. I’ve even worked through notes I made during my last read-through to ensure all the characters aren’t grinning too much.

But before I pass the MS to my first round of beta readers, I know it needs something more. Checks that aren’t just ensuring I haven’t overused “that” or written every character as constantly nodding.

Enter…

The Chapter Checklist

For this checklist, we’re going to take each chapter page by page. You can print out the MS and staple/paper clip each individual chapter together to work on using highlighters, post-its for notes, and a red pen for corrections. Or you can work from your screen using digital highlighters and note-taking features in your preferred writing program.

The key is to concentrate on one chapter at a time, so it’s not overwhelming.

As this is a checklist, you’ll be doing just that: checking things. This isn’t the time to edit or rewrite, it’s the time to use a critical eye to look at what your chapter contains and note down what changes to make during your next round of edits. Here’s what we’ll be checking…

The Length

Some writers work to specific word counts for a chapter, others write it as long as it needs to be.

Whatever method you use, take the opportunity now to look at your chapter lengths and see if any need to be adjusted.

If a chapter is too long, cut it down or split it up. If it’s too short, brainstorm what you can add to make it longer, i.e., more detailed descriptions, an extra scene, etc. The task can then be completed in your next round of edits.

The Openings And Endings

Or as I also like to call it: the tops and tails of each chapter. Here we will check the opening sentence/paragraph and the closing sentence/paragraph.

These are important to check because it’s very easy to open a scene with a similar description when you’ve been penning a book over months or years. Checking the first sentence/paragraph of every chapter one after the other allows you to see if you’ve made this mistake.

As for the endings, to keep readers turning the page, closing each scene with a hook or a cliffhanger is ideal. Using this checklist to study each last sentence with more scrutiny will ensure you’re doing just that.

The Balance

Of scene/sequels and unanswered questions.

One of my favorite writing methods is using scenes and sequels within a chapter. If you’re not familiar with it, a scene is when you have an event, like an exciting incident, and the sequel is dealing with the consequences of that incident. For more info on each, check out the blog posts, Writing Tips For Great Scenes and Writing Tips For Worthy Scene Sequels.

For this checklist item, read each scene in your chapter, work out if it’s a scene or sequel (if you don’t know already), and ensure there’s a balance of both.

Another thing to balance is your unanswered questions. Every unanswered question needs an answer in your story (unless it’s a hook for the next book in the series). Use your chapter read to highlight any unanswered question so you, 1) know it’s there, and 2) can look for the answer in other chapters.

If at the end of a checklist, you find you don’t have a good balance of unanswered questions, or there are ones that need answers in this book but you haven’t done it yet (it happens), make your notes to add it to your next draft to-do list.

The Timeline

Looking at each chapter closely gives you the perfect chance to note down the timeline of your book and see if everything that happens is in the right order.

I don’t know about you, but I write my manuscripts on and off and usually over months (if not years), so it’s easy to miss that the characters have lived through two Tuesdays in a row, or you’ve forgotten to mention that it’s been five months between the opening chapter and the end of the book.

It’s also likely that edits might remove a reference to an event or the event altogether, but your characters may be dealing with the consequences in chapter 12.

Use this pass to check every event that happens in your book, big or small, and that those events are happening in the order they’re supposed to. Also look out for day, month, season, or year mentions. If your characters meet on a Monday, but the next scene is a Saturday, the reader might wonder what happened to the rest of the week. Get your timeline, events, days, months, seasons, years in order so your story is as plausible as possible.

The Plot Twists

While a plot twist doesn’t happen every chapter, the foreshadowing and the aftermath of each plot twist needs to be present in the lead-up chapters and the ones that follow the twist.

As you give your chapters a read for the millionth time, highlight any foreshadowing and plot twist consequence so you can confirm they’re enough, in the right place, and working.

The Mix

As you’re concentrating on each chapter, keep an eye on your descriptions, dialogue, action, and settings. Highlight each sentence that contains those things so you can see if the chapter contains enough of a mix.

This check may make you realize the chapter is super dialogue-heavy and could use a little more action to break it up. Or you may notice you’ve forgotten to add in the room setting so the reader can picture where your characters are as they make life-changing decisions during the climax of the book.

It’s the little details of descriptions and settings, and the combination of dialogue and action that moves your story along, so getting the mix right is important. Checking for that and the other elements mentioned here should strengthen your story. I’m hoping that’s what it’ll do for my current WIP, and if you give these checks a go, I hope it’ll do the same for you.

— K.M. Allan

And there you have it. The wonderful, one-last-pass-through checklist to help you polish that manuscript to as bright of a sheen as you can get it before you brave the world of querying.

Thank you, K. M., for letting me ride on your coattails and share your wisdom.

Follow K.M. here:

Welcome to kmallan.com

Now, open your manuscript and start checking!